Directed by an American, and written by a Czech-born playwright (Tom Stoppard), Brazil - where Monty Python meets Franz Kafka and George Orwell - is nevertheless as British as Big Ben, skewering a peculiarly homegrown strain of small-minded, receipt-issuing bureaucracy (and state-sanctioned torture). Gilliam admits he hadn't actually read 1984 before making it, but the results get remarkably close to the tone and feel of Orwell's novel, with its shabby future-retro technology and terribly polite torturers, while Kim Greist makes a great surrogate Julia to Pryce's Winston Smith. Visually awe-inspiring and, with its terrorist outrages and stultifying red tape, even more timely now than when first released.
'Sentiment: Negative âšī¸'
Hands up, I hated this movie. I just couldn't connect with it in any way. It may be the most clever film ever made but I would rather read soup ingredients.I am totally willing to accept my responsibility in hating this movie and that others may (I don't know how) love it!