Teenage Elliott and his mother Beatrice return for one last time to the beautiful family house in South-West France in the autumn, to pack up and sell it. Whilst there, they meet someone who touches them both."Do you think you can know something before it happens?" asks the young Elliott. As the autumn leaves fall and Elliott explores his sexuality, he realises the summer of innocence is gone forever. Juliet Stevenson and Alex Lawther are perfect in this haunting film. The photography is stunningly beautiful and complimented by a wonderful soundtrack including Oliver Daldry.This is a film you will want to see again.
'Sentiment: Positive 🙂'
Departure is a masterful examination of four people whose individual worlds are in disarray. Young men haphazardly figuring out their place in the world, a middle aged having to address the truth about their marriage.It's definitely not a feel good film nor is it as heavily focused on the queer relationship as the trailer suggests. Departure is one of the better looking films I've seen in a while. Almost every scene could make an intriguing photograph. The film is realistically atmospheric. It's also one of the rare films where long shots of the characters just staring and thinking actually conveys meaning.The beauty of the film and the portrayal by the actors makes Departure worth watching.
'Sentiment: Positive 🙂'
Last year there was only one film that completely shocked me, that put in turmoil the brain and heart, occupying a place for a very long time. It was MOMMY, by Xavier Dolan. DEPARTURE had a similar effect on me. It's a small film, independent, a debut. And perhaps for all these three reasons, there is an urgency so sincere to tell this story to make its strength and its power literally unstoppable. DEPARTURE is a wonderful piece of cinema, which reveals a great director of the future. Powerful, bright, completely honest. Well written, well directed, well played. It comes from the heart. And it goes to the heart.